When you finish your first draft of an interview article, itโ€™s easy to feel a sense of accomplishment. But in the world of feature writing, thatโ€™s just the beginning. The magic of transforming your raw thoughts into a polished, engaging piece lies in the art of revision and rewriting. Many novice writers think their first draft should be the final product, but even the most seasoned journalists understand that multiple drafts are necessary to create a compelling, concise, and well-organized piece. In this blog, weโ€™ll explore the essential steps of revising and rewriting your interview article, focusing on how to polish your draft, prune unnecessary content, and seek constructive feedback to elevate your writing.

Table of Contents

The importance of multiple drafts

Rewriting isnโ€™t about simply fixing grammatical errors or adjusting sentence structures-itโ€™s a complete rethinking of your article. The first draft is your initial attempt to capture the essence of the interview, but itโ€™s rarely the most effective version of your ideas. Letโ€™s dive into why multiple drafts are so important in feature writing.

Why the first draft is never perfect

Itโ€™s common to hear writers say, โ€œThe first draft is just you telling yourself the story.โ€ This is a great way to think about it because, in your first draft, youโ€™re capturing all the information from your interview and organizing it into a rough framework. At this point, your main goal is to get everything down on paper (or screen). Youโ€™re not concerned about perfection or style. However, as you read through that first draft, youโ€™ll notice that some sentences donโ€™t flow well, certain ideas are underdeveloped, or maybe youโ€™ve included irrelevant details.

Hereโ€™s where the real work begins. With each draft, you refine your ideas, tighten your structure, and eliminate the fluff. Your second draft is when you start honing in on the main story. Itโ€™s where you focus on making the article clear, engaging, and logically organized. By the time you reach the third or fourth draft, the article should be shaping up to be your final product-clean, polished, and impactful.

How many drafts are enough?

The number of drafts you need will depend on the complexity of your interview and your writing style, but hereโ€™s a general guideline:

  • First draft: Just get everything down. Donโ€™t worry about mistakes.
  • Second draft: Focus on organization and clarity. Rearrange paragraphs, add or remove content as necessary.
  • Third draft: Polish your language. Pay attention to sentence structure, transitions, and pacing.
  • Final draft: Proofread for grammar, punctuation, and consistency.

Even if it takes more than four drafts, donโ€™t be discouraged. The process of revising and rewriting allows you to refine your thoughts and produce the best possible version of your work.

Pruning your article

One of the most important steps in rewriting your interview article is learning how to prune it effectively. This doesnโ€™t mean cutting out entire sections, but rather eliminating unnecessary material that doesnโ€™t add value to your piece. Pruning helps you focus on whatโ€™s most important, ensuring that every word and every sentence serves a purpose.

Identifying unnecessary content

In interviews, especially long ones, thereโ€™s a tendency to capture everything-every answer, every sentence-because you donโ€™t want to leave anything out. However, not all of it will be relevant or compelling to your readers. So, how do you identify what to keep and what to cut?

  • Relevance: Does the information directly support the main theme or purpose of the article? If not, consider cutting it.
  • Repetition: Are there phrases, points, or facts that have been repeated unnecessarily? Cut down on redundancies to keep the article sharp.
  • Length: If a paragraph or sentence feels too long, break it down into shorter, more digestible parts. This increases readability and helps hold the readerโ€™s attention.
  • Clarity: If a section feels confusing or unclear, either rework it for better clarity or remove it entirely.

How to trim without losing impact

Pruning isnโ€™t just about cutting content-itโ€™s about sharpening your focus. For example, you might find that a section of the interview, while interesting, strays from the articleโ€™s main theme. Instead of completely removing it, you can weave in key points into other parts of the article where theyโ€™ll be more relevant. By doing this, you ensure that the article remains concise, without losing the depth of the interview.

Another technique is to use short, impactful quotes rather than long passages of dialogue. Highlighting the most significant quotes can make your article more dynamic and focused, ensuring the reader is drawn to the heart of the story.

Seeking feedback

As you revise and rewrite, one of the most beneficial steps in the process is seeking feedback. Often, when we write, weโ€™re too close to the material to see its flaws. Having another set of eyes look at your work can provide a fresh perspective and help you catch things you may have missed. But how do you go about seeking effective feedback?

Who should you ask for feedback?

Not everyone will have the right insights for your article. Hereโ€™s a list of people who can provide useful feedback:

  • Peers and fellow writers: They can give you feedback on structure, style, and clarity. Since they understand the writing process, their insights can be very practical.
  • Editors: Editors are pros when it comes to tightening your prose. Theyโ€™ll help with grammar, punctuation, and ensuring your article is cohesive.
  • Subject matter experts: If your article covers a specific topic, someone with expertise in that area can point out any inaccuracies or areas for deeper exploration.
  • Readers from your target audience: Getting feedback from someone who represents your readership is invaluable. They can tell you whether the article is engaging, clear, and informative from the perspective of someone unfamiliar with the topic.

How to handle criticism

Receiving feedback can be tough, especially if itโ€™s more critical than you expected. However, criticism is a tool for improvement, not a personal attack. Here are some ways to make the most of feedback:

  • Listen without getting defensive: It can be easy to justify your choices, but try to understand where the feedback is coming from.
  • Be open to change: Sometimes, feedback might require significant rewrites. Donโ€™t be afraid to make those changes if it improves the article.
  • Ask questions: If you donโ€™t understand a piece of feedback, ask for clarification. The goal is to understand whatโ€™s wrong and how you can fix it.

Incorporating feedback can be time-consuming, but itโ€™s worth it. Feedback offers an outside perspective and reveals issues you might not have seen on your own, ultimately making your article stronger.

Conclusion

Revising and rewriting your interview article is a process of discovery, refinement, and polishing. The importance of multiple drafts cannot be overstated-each draft allows you to refine your ideas, improve your structure, and perfect your language. Pruning unnecessary content ensures that your article stays focused and engaging, while seeking feedback offers fresh perspectives that can elevate your writing. With patience and practice, the process of revision will become second nature, helping you produce feature articles that are not only informative but compelling and polished.

What part of the revision process do you find most challenging? Is it pruning unnecessary content, or maybe handling feedback from others? Whatever your challenge, remember that rewriting is an opportunity to make your article shine!

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Feature Writing

1 Identifying significant topics

  1. How women have been treated in writing so far
  2. How to change existing attitudes
  3. Some suggestions about writing on women
  4. Summing up

2 Investigation and personal interview

  1. Scope for writing on women
  2. Interviewing rural women: sympathy and sensitivity
  3. Interviewing urban women: the process of social change
  4. Appropriate style: informal, participatory and conversational
  5. The ethics of publishing interviews

3 Familiarity with allied subject matter

  1. The importance of specialised study
  2. Women’s studies
  3. Familiarity with allied subject matter
  4. Summing up

4 Writing about women; drawing conclusions

  1. Conclusions to be based on facts, not prejudices or speculation
  2. Prejudices and preconceptions distort conclusions
  3. Avoid hasty conclusions: the phenomenon of dowry deaths
  4. Open-ended conclusions make the reader think and decide
  5. Summing up

5 Reviewer’s integrity

  1. Adequate motivation
  2. Integrity in book-reviewing
  3. Undue criticism
  4. Prejudices in book-reviewing
  5. The tone of an objective review
  6. Reviewing without reading the book
  7. Bloodthirsty reviewer
  8. Reviewer pretending to be scholarly
  9. Dishonesty does not pay
  10. The review format

6 Acquaintance with other works on the subject

  1. The reviewer’s task
  2. The well-informed reviewer
  3. The Review Editor’s task
  4. The reviewer’s duty towards his reader
  5. The reviewer assesses the book in relation to other books on the subject
  6. A Check list
  7. Summing up

7 Assessment of a book under review in terms of subject, style and relevance

  1. The reviewer’s job: to examine subject, style and relevance
  2. Subject
  3. Style
  4. Relevance: a checklist
  5. Summing up

8 Evaluative judgment

  1. What is evaluative judgement?
  2. Evaluative judgement and different forms of literary writings
  3. Characteristics of sound evaluative judgement
  4. Summing up

9 Background material

  1. Travel writing, an old form of literature
  2. Travel writing today
  3. Prerequisites for a travel writer
  4. Specialized travel writing
  5. Creative travel writing
  6. Summing up

10 Locating an appropriate subject

  1. The changed nature of travel writing today
  2. Kinds of travel writing
  3. Discover your particular skill in travel writing
  4. Summing up

11 Technique of travel writing

  1. Preparationโ€”collecting information
  2. Visiting the place: keep an open mind
  3. Using a library for verification of data
  4. Writing the articleโ€”keep the reader in view
  5. Writing for a magazine
  6. Articles on specific topics

12 Allied material โ€” photographs and sketches

  1. What kinds of pictures to choose
  2. What makes a picture good for reproduction
  3. Cropping: making pictures relevant and effective
  4. Photographs: cropping and masking
  5. Illustrations and sketches
  6. Captioning of pictures

13 Preliminaries

  1. Importance and uses of interviews in feature writing
  2. Interview articles
  3. The art of interviewing
  4. Recording of the interview
  5. Reconstructing the interview
  6. Winding up

14 Preparing questions

  1. Write down your questions
  2. Points to remember when framing questions
  3. Basic questions of an interviewer
  4. Technique of asking questions
  5. Points to remember when the interview is in progress
  6. Handling of some special interview situations

15 Use of interview equipmentโ€”audio, video, photographs, extracts

  1. Electronic aids in interviewing
  2. Audio cassettes/tape recorders
  3. Making do without tapes/cassettes
  4. Using video cassettes: advantages
  5. The use of photographs
  6. Using extracts

16 Editing and organization

  1. Some essentials recalled
  2. Giving shape to interview material
  3. Importance of focus, lead, and structure
  4. Anecdotes: how to handle and use them
  5. Quotations vs. paraphrasing
  6. What quotes to use and how
  7. Importance of balance in the article as a whole
  8. Revision and rewriting
  9. Question-and-answer format